The Semiotics of the Musical Event in the Poetry of Sayab A rhetorical study

Abstract

The research presents a number of axes that connect them with aesthetic ties, based on rhetorical bases from different angles of view justified by the diversity of stripes and meanings. Text path preview, function collisions, cognitive confusion, connotation, and tag production. All these stations and their relationship to the sign of the second dimension of the artistic image is linked to the rhythmic or signal music with different meanings. The description is essentially based on the poetic discourse we are dealing with, and the difference in its rhetorical orientation within the semiotic approach; that is, the rhetorical analysis is based on systematic mechanisms, whereas the semantic analysis does not find the methodological mechanisms integrated and does not prepare them as much as an addition to the study Analytical, because the semiotic theories are closer, despite their complex concepts.